Those shadows under the eyes are really bothering me now. But similar to the way an oncologist works with chemotherapy, I work destructively before I start building things back in -- Layer #3: Sharpening. OK, I never sharpen this early in a workflow, but this image was so soft and so exposure-challenged that I just dove right in here. In the back of my mind, I was thinking this was the critical step, and right away sharpening would tell me if this image had any future or not. Layer added with a generous Unsharp mask, normal blending mode, 100% opacity. Mask below for reference. There's enough sharpness here (eyes and the hair along the cheek) that I feel it's worth continuing. But sharpening on top of Topaz has put some pretty awful ruts in the face. Still not a printable image, but maybe it's sharp enough for onscreen.
You did bring some sharpness back into her face, in particular her eyes. We await what you will do from here.
ReplyDeleteDHaass
Nice job of selective sharpening. I think it did what you wanted it to do. Good work.
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